Tuesday, May 15, 2007
"The Haunted" Should Be Hunted Down...And Shot!
Sunday, November 05, 2006
Why Don't They Just Shut Up?

Monday, October 23, 2006
Shadows, Smoke and Mirrors
Once more into the gothic realm we wander. This time, our choice morsel is a "Queen-Size Gothic". Frankly, I have never crawled into anything "queen-size" other than a bed. Not that I'd badmouthing queen-sized women (have you ever heard of a man being "queen-size" except maybe the late Divine?), because I think I could stand to have some meat on my bones, but that is grounds for another posting elsewhere.
Shadow Of A Man takes to the fertile ground of the post-Civil War South as your proper young heroine leaves her Northern schooling to return to the family plantation now that her father is dead. But the poor girl can't seem to catch a break. On the riverboat taking her to the port nearest her home, some cad attempts to plonk her bustled ass into the paddle wheel. A handsome gent saves her at the last moment and...well, it doesn't take Norman Mailer to figure out where this is headed.
A seriously hot but dangerous fellow hounds her every step, doing his best to woo her as well as prize the family property from her grasp. She resists, deciding to return the plantation to its former grand state. But one day, while nosing around in New Orleans, she swears that man walking away from her is her father. Is she going mad? Is it a plot by our devious dark hottie? Will anyone die just to spice things up?There are the usual balls and cotillions, women in large dresses sweeping up and down winding staircases, men pulling said women to their firmly muscled chests and a dark secret that could shatter the lives of our heroine and hero. Okay, that last bit was melodramatic, which this book never is. Really. No, my nose isn't growing longer. Quick, look over there.
Good for what it is, but it isn't much. I can see this as a costume drama on Lifetime Network. Not that I'd see it on there. If they don't have Judith Light chewing up the scenery, I can't bear to watch that channel. Like they referred to it on Family Guy: "Lifetime--Television for idiots".
I'll try to find one with some serious mental qualities next time. Until then, I'll keep trying to live life according to the ideals of the gothic heroines. Now if only I could find a hunky guy with a firm chest to cleave to.
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Labels: gothic, New Orleans, no romance, riverboat, the South
Tuesday, October 17, 2006
Sea Foam And B.S.

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Labels: experiments, gothic, romance, sea, silliness, waifs, waves
Tuesday, October 10, 2006
Ah, Sweet Devil
We start with one of the more outlandish titles I've read. Lord Satan by Janet Louise Roberts (but whose copyright lists a name of "Louisa Bronte," which makes you wonder if she truly is related to those wacky sisters of old).
Most gothics deal with supernatural material, but like most episodes of "Scooby Doo," the truth is that people are either under the influence of something (drugs, poison, paint chips or massive guilt combined with a touch of crazy) or they are just plain up to no good. This novel, barely larger than a novella, actually offers up not just one devil but two. Well, technically, three, but that would be spoiling things if I explained.
You have your basic set up here. Beautiful, young, innocent girl, suddenly alone in the world, discovers she has a distant relative, in this case a cousin. She travels to his castle. He is handsome and brutal, and our chaste heroine doesn't understand why her underthings get damp when cousin Vincent whips and curses some poor servant. Before you can ignore the vague incest element (Oh, come on! We ARE talking about Victorian Europe here, for the love of God!!), our perky, sickeningly sweet character stumbles upon a Satanic mass with nude women and bloodletting. What has she gotten herself into?!? But she seems to forget the next day when her rugged cousin talks to her and wiggles his eyebrows at her.

Soon she is falling for this lout and trying to change his ways. Still fairly typical of this sort of thing. Oh, I forgot to mention Vincent's dearly departed mommy keeps popping up to chat with our heroine about how to run the house and how to remove ring around the collar. Toss in slaughtered girls on the moors, rumors about Vincent's status amongst the townspeople, Vincent's growing love for his dear cousin and the admission he is half-devil.
Hang on. Did you just say, Vincent is a half-devil? Yup. A real cinder of the old block because Daddy was a full-blooded devil. No, really, you aren't misreading this. Devils. Magic powers. Chats with Satan. Cavorting with denizens of the Underworld. Yes, a devil.
And now this dirty devil wants to marry our poor sweet God-fearing girl.
This could be a sitcom. The scenes in which the Devil Daddy comes to have dinner with his half-breed son and his blonde squeeze are loopy and funnier than they were meant to be. The catch phrase could be "Vincent! You got some damning to explain."
Okay, I'll let up. Is this any good? Well, at 159 pages, there isn't enough time to find a lot to bitch about. It moves fast enough. And it almost seems like the story is nearly beside the point because the author obviously liked the characters, and she almost lets them overpower the story. Our plucky heroine maintains her sense of purpose and shows her loyalty and devotion by the time you reach the end, so she doesn't leave a completely bad taste in your mouth.
Verdict: Not as fun as a TMX ELmo, but good for a quick read.
Thursday, October 05, 2006
The End Of Definition
When I refer to "classic" gothics, I do not mean the seminal works by Walpole or Radcliffe. (Ah-HA! You thought I was an airhead who knows nothing about literature, didn't you?) And the volumes I intend to extoll the virtues of are not the near-literary cousins written by Wilkie Collins and the like. No, no, I mean to wallow happily in the formulaic deluge of titles that were so popular from the 50's through the mid-70's. They were pumped out with the intention of hitting the pressure points with equal parts of scares, hinted-at sex and good-natured violence.
Are the heroines smart? Not terribly. In fact, even when faced with clearly presented evidence, they often ignore warning signs and stumble directly into more trouble.
Are the stories and situations realistic? Well, in a general way, yes, but, mostly, no. I can't vouch for how women acted or felt they HAD to act in the early days before liberation began, so a woman cleaving to the firm chest of a man ruling her life sounds like so much bullshit to me. However, I have to benefit of being alive today and not back in 1837 or whenever.
Do they even attempt to present women in a positive light at all? Yes, definitely. Sure the heroine is occasionally saved by the big strong man, but she is usually the one who roots out the trouble and imperils herself to discover the mystery. Most, but not all, heroines in gothics tend to exhibit the finer qualities of virtue, honor, loyalty and persistance in the face of adversity. That's more empowering than reading about stupid chickie-chicks sleeping with their bosses, co-workers, emotionally-bankrupt guys while wondering why their lives are such utter shit. (Hello, Bridget Jones!! Braindead damn book that I, with total disgust, launched across the room while feeling insulted by it.)
I love gothics because I completely accept the level of silliness in which I am about to immerse myself. I don't read them to exorcise some inner demon. I don't look to them to answer any of life's questions. I don't expect to see myself or my peers reflected in the characters. Basically, its like watching an Adam Sandler movie, but without having to see him do his typical schtick that makes me want to throw up a little in my mouth.